Conceived as a constellation of micro-interventions, the experimental project brings together design and creation proposals that fit into existing spaces. Added objects, moved shapes, replayed gestures or silent activations slip among the museum's artifacts. Each intervention acts like a new occupant: a discreet companion, sometimes almost invisible, who dialogues with the works in place. Here, it is not a question of transforming the museum, but of inhabiting it differently. The projects do not dominate the collections: they are attached to them, cling to them, blend into them. At the level of detail, gaze or gesture, they establish sensitive relationships between past and present, between ancient objects and contemporary practices. Visitors are invited to renewed attention. As they walk, they discover these unexpected presences, like so many clues to interpret, stories to recompose. The micro-exhibition is thus constructed in movement, in the gap, in surprise. The Inséparables compose a diffuse exhibition, made of cohabitations and correspondences: an intimate connection of forms, where each intervention reveals in a different way what was already there. A micro-exhibition experience of the Master / DSAA, Prospectives and Arts of Living from the Ecole Duperré, Paris imagined with the Museum of Hunting and Nature